[CARUSO & FRIENDS | Ensor 2024]

Enrico Caruso © Library of Congress

Benjamin Haemhouts conductor

Thomas Blondelle tenor

Gioachino Rossini – uit I Barbieri de Sevilla – Ouverture
Gaetano Donizetti – uit l’ Elesir d’amore – ‘Una furtiva lagrima’
Georges Bizet – Carmen Suite Nr. 1 – 2. Aragonaise
Pietro Mascagni – uit Cavaleria Rusticana – Intermezzo Synfonico
Ruggero Leoncavallo – uit I Pagliacci – Vesti la giubba
Guiseppi Verdi – uit Aida – Dance of the Moorisch Slaves
Jules Masesnet – uit Thaïs – Méditation
Giacomo Puccini – uit Tosca – ‘E lucevan le stelle’
Traditional – Santa Lucia
Camille Saint-Saens – uit Samson et Dalila – Bacchanale
Giacomo Puccini – uit Turandot – ‘Nessun dorma’
Georges Bizet – uit Suite l’Arlesienne 1. – Farandolle
E. di Capua/ A. Mazzucchi/G. Capurro – O Sole Mio
Georges Bizet – uit Carmen – Prélude
Guiseppi Verdi – uit La Traviata – ‘Libiamo Mibiamo’

La Mer: an endless source of inspiration for artists from Claude Debussy to Charles Trenet. It really doesn’t have to be the Côte d’Azur or the Mediterranean coasts. Ostend was Europe’s leading seaside town in the late 19th century. A place where you could enjoy sun, sea and beach. Where one could parade among the beau monde. Where you could simultaneously listen and be seen at the Kursaal’s renowned concerts and recitals. They had the very greatest conductors and composers on the rostrum and the largest stars in classical music were visiting… and one James Sidney Edouard Ensor was in the loyal audience. The quirky painter was a loyal guest at the Théâtre Royale d’Ostende.

We revive the glory days of yesteryear, with the native of Ostend as guide and signpost. There is a whole year’s worth of events coming up: Kurt Van Eeghem launches a new book on the period, fine musical moments are planned at the Ensor church and Casco Phil briefly becomes the famous Kursaalorkest, the orchestra of the Kursaal. We zoom in on three aspects of these miracle years in as many concerts.

He was perhaps the most famous tenor ever to have lived: Enrico Caruso. He invariably ignored the grand opera houses in our country, but he did appear on stage in fashionable Ostend several times. The Kursaal nights with Caruso were mass events. In 1909, as many as 17,200 tickets were said to have been sold, the posh crowd even resorting to fistfights to get in. With an evening of Italian opera, we bring back this grandeur – this time without any quarrelling.

 

Thank you to the players of the National Lottery. Thanks to them we can support the Ensor concert series #meerdanspelen

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